Frankenstein is a classic piece of literature that was written originally in 1818 by Mary Shelley. Many scholars have argued about what Shelley was trying to accomplish when she authored her famous novel, some looking at the roles of gender, some looking at implicit meaning of good v. evil, etc. However, by simply rhetorically analyzing what is right in front of us, we can notice deeper details about Shelley’s writing that allude to multiple things. For example, the real title of this story has a second half: Frankenstein, or the Modern Prometheus. Prometheus was a Greek god that betrayed the other gods of Olympus. He wanted so badly to be adored and revered – worshipped, even - above all the other gods that he let himself be blinded to the consequences of his own actions. He then stole fire from the gods and gave it to the humans to elevate himself. However, when the other gods found out, they were terribly angry and he was severely punished; Zues damned him for all eternity to be chained to a rock and to have his liver eaten by birds every night, which would then regrow the following day. Prometheus lost everything he had worked so hard to achieve because he refused to be content. When Mary Shelley calls Frankenstein the modern Prometheus before we have even picked up the book, it is clear that she crafted this book with a heavy theme of prometheanism. This is a concept that applies the story of Prometheus to the men of the world and focuses on what happens when they pursue their ambitions and goals with the end goal of becoming worshipped, adored, and revered, becoming a god among humans. By conveying Victor Frankenstein’s destructive behavior through his ever-growing and reckless ambition, Mary Shelley reveals her criticism of prometheanism and the dangerous consequences it holds.
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